Magesy® R-Evolution™ ⚡(FAST EDiTiON)⚡

  • VirSyn Matrix v2.1.0 VST RTAS x86 x64 WiN-ASSiGN
    4 October 2020
    Categories: RTAS, Virsyn VST, VST, WiNDOWS, x64, x86

    VirSyn Matrix v2.1.0 WiN

    Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

    Matrix – The Voice Coder is “The Vocoder for the 21st century”.

    The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from magesy download the characteristic filter envelopes from magesy download the analysis stage together with an external or internal replacement signal.



    Viewed 45115 By Music Producers.


    • Endless Series v3.00 VST WiN x86 x64-ASSiGN
      29 September 2020
      Categories: Oli Larkin, WiNDOWS, x64, x86

      Endless Series v3.00 VST WiN x86 x64-ASSiGN

      Endless Series v3.00 VST WiN

      Team ASSiGN | 28 MAY 2011 | 3.30 MB

      Endless Series is a unique synthesis and effect plug-in based on the Shepard Tone auditory illusion. It generates mind bending infinite scales, psychedelic drones and fascinating sonic textures and works as a tone generator, a ring modulator, phaser, flanger or resonant filter bank effect. It’s perfect for adding subtle or extreme tension to many kinds of electronic and experimental music – for instance you can use it to drive the dance-floor crazy with never ending build-ups and climaxes, or add a sense of motion to your latest track without changing the tempo. The plugin is also very effective for many sound design tasks and makes great high-octane engine sounds, like those used for the Batpod in Batman, The Dark Knight.



      Viewed 14888 By Music Producers.


      • K-Meter v1.3.5 VST x86 WiN-ASSiGN
        29 September 2020
        Categories: VST, WiNDOWS, x86

        K-Meter v1.3.5 VST x86 WiN-ASSiGN

        K-Meter v1.3.5 VST x86 WiN

        TEAM ASSiGN | 21 JUNE 2011 | 8.18 MB

        The K-System has three scales: K-12, K-14 and K-20. You choose which scale to use based on genre and delivery format. K-12 is for broadcast and radio. K-14 is for mainstream pop, rock and country. K-20 is for film, classical and high-fidelity recordings. From K-12 to K-20, the scales provide an increasing amount of dynamic range.



        Viewed 7893 By Music Producers.


        • V-Plugs Uranium v1.0 VST x86 WiN-ASSiGN
          29 September 2020
          Categories: VST, WiNDOWS, x86

          V-Plugs Uranium v1.0 VST x86 WiN-ASSiGN

          Uranium v1.0 VST x86 WiN

          Team: ASSiGN | 24.12.2010 | 8.35 MB

          The new compression sound. Based on our new “Smart Dynamic Control” technology (SDC), Uranium brings compression to the 21st century, with a distinctive sound, unique features and better monitoring! From light transparent dynamic treatment, to heavily pumping and breathing compression, the Uranium sounds like no other compressor you have ever heard before!.



          Viewed 10344 By Music Producers.


          • SpectraPhy V2HD v2.3 AU VST x86 WiN MAC-ASSiGN
            29 September 2020
            Categories: AU, CrySonic, macOS, VST, WiNDOWS, x86

            SpectraPhy V2HD v2.3 AU VST x86 WiN MAC-ASSiGN

            SpectraPhy v2.3 WiN MAC

            TEAM ASSiGN | 25 FEBRUARY 2012 | WiN: 7.60 MB |♥ MAC: 32 MB

            Spectra’Phy™ V2HD – is the second generation Mastering grade look-ahead brickwall audio limiter / maximizer and is now a full Multi-Band processor as well as the only audio plug-in to utilize the principals of mechanical physics for Audio processing. SpectraPhy Pro V2 breaks new ground in Audio processing for quality and easy of use to achieving amazing professional results for Mastering, Mixing, Tracking and all Audio/ Music Production. It is incredibly efficient in processing while maintaining predictability and providing the best of breed outcome for all Pro Audio use together with it’s gorgeous user Interface. SpectraPhy V2 provides complete independent gain threshold control for all individual L/R channels for each band and this is carried over to the Final Mastering level on the input channel. By utilizing the new Crysonic “Nephilim Audio Physics Engine” unlike other limiters, an unusual amount of audio limiting / maximization can be applied without any unwanted audible artifacts.



            Viewed 16887 By Music Producers.


            • Bismark BS-16 v4.x.x UB VSTi WiN MAC-ASSiGN/ArCADE
              19 September 2020
              Categories: AU, Bismark, macOS, UB, VSTi, WiNDOWS

              Bismark BS-16 v4.x.x UB VSTi WiN MAC-ASSiGN/ArCADE

              Bismark Bs-16 v4.x.x WiN MAC

              Team ASSiGN | 20 January 2012 | WiN: 4.5 MB

              Team ArCADE | Date.: 03/2009 | 3.06 MB

              SoundFont Player Plugin VSTi UB

              bs-16 is a multitimbral software playback sampler for Steinberg VST 2.4, and Apple Audio Units plug-in format. You can play all SoundFont 2 files for Creative Sound Blaster series, and DLS (Downloadable Sounds) files on your host application. bs-16 supports Mac OS X and Windows.



              Viewed 42892 By Music Producers.


              • M4GIQ v1.0 VST x86 WiN-ASSiGN
                16 September 2020
                Categories: Mildon Studios, VST, WiNDOWS, x86

                M4GIQ v1.0 VST x86 WiN

                TEAM ASSiGN | 05 DECEMBER 2010 | 5.14 MB

                At some point, every music producer or sound engineer will encounter that one guitar line or vocal phrase that just won’t sit right in the mix. And no matter how much de-esser you apply to that belting female track, it still sounds harsh. Maybe you’ve experienced something like this in the past, or maybe you’re working on that “nightmare” project right now. While M4GIQ is by no means a one-shot solution for such a scenario, it can help you get it right with a little balancing (and spreading) act.



                Viewed 14417 By Music Producers.

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